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How we made Taali Twirlz' AI ad: storyboard to final film in 10 days

A breakdown of the Taali Twirlz launch ad: made with AI, no shoot, 480K+ views on Instagram. The 14-scene storyboard, locked references, brand rules for the AI and the product fixes that made it work.

Viraj Auti

Viraj Auti

Founder, EditGency ·

Taali needed a launch ad for Twirlz, its Chatpata Masala corn puffs. No set, no actor, no shoot days. Our first storyboard went out on 12 July. The first final cut was ready on 22 July, ten days later. On Taali's Instagram the ad has crossed 480,000 views. Here is how it was built, and the four decisions that made it work.

480K+

views on Taali's Instagram

10 days

from first storyboard to first final cut

0

shoot days, sets or crew

The brief

Taali Twirlz are baked corn puffs: Chatpata Masala flavour, not fried, no palm oil. The brief was a 30 to 35 second vertical ad for Instagram and Meta, built around one line: “One twirl and the whole room turns up.”

The idea was simple. A tired girl walks into a plain white room after a long day. She spots a pack of Twirlz, tears it open, and the room turns into Taali's purple and yellow around her. Same room, same furniture. Only the colour changes.

The timeline

  1. 12 Jul

    Day 0

    Storyboard round 1: 14 scenes, plus locked character, room and pack

  2. 18 Jul

    Day 6

    Storyboard round 2: new lead, ribbons replace flat shapes

  3. 22 Jul

    Day 10

    First final cut

  4. 23 Jul

    Day 11

    An extra pack removed from a scene

  5. 29 Jul

    Day 17

    Approved, and the editable project file handed over

Play 1: Lock the character, room and pack first

The fastest way to wreck an AI ad is drift. The lead's face changes between shots, a shelf moves, the pack label melts. So before a single shot was generated, we locked three references: the character before and after her outfit change, the room before and after, and the pack with a readable label.

Locked reference images for the Taali Twirlz AI ad: character before and after, bedroom before and after, and the Taali Twirlz pack
Round 1 references. Every shot is generated against these, so faces, furniture and the pack stay the same from scene 1 to scene 14.

One rule sat on top of everything: furniture, window, wardrobe, shelves and desk stay exactly where they are for the whole film. Only colour changes. That rule is what makes the transformation readable in two seconds on a phone.

Play 2: Storyboard twice, generate once

Changing a storyboard frame takes minutes. Changing a finished AI shot takes far longer. So the whole film was storyboarded shot by shot, with timing and camera notes for every scene, and then storyboarded again.

The 14-scene storyboard for the Taali Twirlz AI ad, from Arrival to the hero pack shot
The final storyboard: 14 scenes from Arrival to the hero pack.

Round two made the big calls. The lead changed, and the flat geometric shapes from round one became ribbon streamers that twirl like the product's name. A scene was cut, and a new beat was added where a friend reaches in for a share.

Taali Twirlz storyboard round 1 compared with round 2 for The Tear and Shock and Joy scenes
Same scenes, two rounds. Round two settled the cast and the visual language before any video was made.

Play 3: Write rules for the AI like a brand style guide

Left alone, AI models fill gaps with their own taste, usually sparkles, glow and glitter. The storyboard banned them in writing: graphics stay crisp, flat and solid, with no paint, no stars, no glitter and no glow. The final storyboard set ribbon streamers and confetti as the only graphic elements, used the same way in every cut.

Rules like these turn a model from a slot machine into a crew that follows a brief. The film was built with Seedance 2.0.

Taali Twirlz storyboard frames compared with the same moments in the final AI ad
Top: storyboard. Bottom: the same moments in the final film.

The film stayed close to the plan. Where it moved, it moved for the edit. The tear became a close shot of her hands opening the pack, and a laptop full of emoji was added to carry the mood shift.

Play 4: Make the product the hardest-working thing in the frame

AI gets the mood right fast. The real work in a product ad is making the product read. Every change after the first cut was about the pack:

  • The tear. In the first cut she opened the pack with its back to camera. In the final, we see her hands tear it with the logo facing us.
  • The reaction. She now holds the pack front-on, so TAALI TWIRLZ is readable at the film's peak.
  • One hero pack. An extra pack in one scene was removed, so no second product competes for attention.
  • The label. On the hero shot, the pack corner was corrected to the green vegetarian mark.
First cut compared with the final Taali Twirlz ad: the tear, the reaction and the pack label
First cut (22 Jul) vs final (29 Jul). Same story, but the pack reads in every key beat.

The result

  • 480K+ views on Taali's Instagram, from an ad made in 10 days with no shoot.
  • A 36-second, 9:16 ad for Instagram and Meta ads.
  • The editable project file, handed over the day the film was approved.
  • No shoot days: no set, no crew, no actor bookings.

What any D2C brand can take from this

  1. Lock your assets first

    Character, location and product, before a single shot is generated. Drift is the biggest quality killer in AI video.

  2. Storyboard before you generate

    Fix the story, cast and look on paper, where changes are cheap.

  3. Write your brand rules down for the AI

    What it may add, what it must never add, and how every graphic element behaves.

  4. Judge every cut by one question

    Can you read the product?

FAQ

How did the Taali Twirlz AI ad perform?+

It has crossed 480,000 views on Taali's Instagram (@taalifoods.in). The ad was made with AI in 10 days, with no shoot.

How long does it take to make an AI ad film?+

For Taali Twirlz it took 10 days from the first storyboard to the first final cut, and 17 days to client approval. There were no shoot days.

How do you keep the same character across AI video shots?+

Lock reference images before generating anything: the character in each outfit, the location and the product. Every shot is then generated against those references, which stops faces, furniture and labels from changing between shots.

Which AI tool was used for the Taali Twirlz ad?+

The film was built with Seedance 2.0, from a 14-scene storyboard with timing and camera notes for every scene.

Can an AI ad show the real product packaging correctly?+

Yes, if the pack is a locked reference and every cut is checked for it. In the Taali Twirlz film, the final revision turned the logo to camera in the key moments and corrected a label detail on the hero shot.

What does the brand receive at the end of an AI ad project?+

Taali received the final 9:16 film and the editable project file on the day the film was approved.

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